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Photography, poetry, and musings by Emily Ung.

Posts in Film photography
#15 – Tormented.

Nikon F90 | Kodak Portra 400

Sometimes when I’m reading, I come across certain words or sentences, lines or paragraphs or stanzas that particularly move me. I often find myself in those moments where I really feel what an author or poet is trying to convey, and the emotion his or her words embody. It’s these magical moments that strike me as so sublime and uncanny – that a total stranger can put into words the thoughts I am unable to articulate. It’s an amazing way of affirming that your personal experiences and emotions aren’t all that taboo, and that you really aren’t alone (cliché as that may be). And that, to me, is so special – especially if said printed words on paper can move me to tears.

It’s not often that my own writing has that effect on me – because the process of composing requires time and thought, and already taps into my emotional chambers. However, with that said, this poem just doesn’t stop making my face wrinkle and my throat tighten. As with all my writing and poetry, I have to read it aloud because rhyme and rhythm are elements that I deem as essential. I imagine if I were to perform this piece, I would gradually pick up pace as I speak;

 

Tormented

I remember the first time

I caught a glimpse of you from the corner of my eye.

I was feeling nervous, and so scared,

But in my mind I thought to myself,

“Hey, he’s cute.”

 

Right there was where I stood,

Like a statue, but right at you –

On the opposite side of the counter.

I wish I wasn’t there, but I was relieved at the same time.

 

Right there was where we ate;

In those seats was where we sat,

Where we watched and where we laughed and

Where we leaned.

 

Right there was where we walked,

Where we sat down and where we talked –

That was where I couldn’t stop myself from falling;

Over and over.

 

Right there was where we hooked arms,

Where we held hands and where we were calm;

Where we shared everything,

Including our food.

 

Right there was where we took that photo,

Where we never wanted to let go.

Where we celebrated and where we made plans together

For the future.

 

Right there was where we lied under the stars –

Where we drank and where you parked your car.

Where I was convinced by your crocodile tears, those that

I couldn’t bear.

 

Right there was where I felt safe –

Where I was myself, and where I didn’t have to put on a fake face.

Where I took risks knowing that I

Would be ok.

 

Right there was where I was scared –

Where I feared for my life and where I cried tears.

Where I sat at a window seat and swallowed my sobs as I

Held onto faith.

 

Right there was where I was delusional –

Where I saw all sorts of illusions and where I was in denial.

Where I thought to myself, “Maybe

I still have a chance.”

 

Right there was where I slowed down –

Where I tried to hide and where I fell to the ground.

Where I felt my lungs deflate, and thought,

“Is this fate?”

 

Right there was where I stood out from the crowd –

Where I was on my knees and where I cried my eyes out.

Where I was sprawled between an illuminated orange road sign and

A glass wall.

 

Right there was where I wished we had never met – ever.

Where I hoped to wake up with amnesia,

Where I tired to eradicate those memories that made me,

Thinking, “if only.”

 

Right here is where I feel myself disintegrate –

Where my thoughts consume me and drive me crazy.

Where my optimism is beyond me, and I wonder,

“Is this ‘me’?”

 

Right now, you could still find me

On the street or in your memory –

Where we whispered secrets, and where there

Was no animosity.

 

Right now, I could be anywhere – I am somewhere

At the beginning, the middle, or the end;

Where I cannot recognise my surroundings, and I wish I wasn’t here,

But at the same time I am relieved (not really).

 

I thought I would be ok

But my stomach knots and churns and

I genuinely feel sick – because this

Is where it hurts the most.

 

With love,

Emily.

#14 – Aftermath.

Nikon F90 | Ilford FP4

These are some black and white snaps I took on Ilford FP4 back in late July.

I usually don’t shoot too much black and white film – mostly because I do love colour in my photos, and it’s also a tad more expensive to get black and white film developed. Although, sometimes when your composition is a bit cluttered and there’s too much going on in the frame, I think black and white would work well – it shifts the focus away from the plethora of colour to the focal subject and overall composition of the image.

Nikon F90 | Ilford FP4

I haven’t tried other black and white films, but I love Ilford FP4 for its soft, faded look and low contrast – which is pretty much my kind of aesthetic. It has a sensitivity of ISO 125, which is great on a clear day. You could try bumping up the ISO setting on your camera and “push” the film, but I have yet to try that technique (not quite that brave). I generally like to use films that are ISO 400 – I find it’s the most versatile for my use.

I have 2 rolls of Kodak T-Max 400 sitting at home – I’ll let you know how they turn out when I finally get around to using them. In the meantime, enjoy! 

Nikon F90 | Ilford FP4

Nikon F90 | Ilford FP4

All | Nikon F90 | Ilford FP4

After | Nikon F90 | Ilford FP4

Nikon F90 | Ilford FP4

(Thank you for being you - and for always quietly being there for me.)

Nikon F90 | Ilford FP4

With love,

Emily.

#13 – Post-Trauma Thoughts (post)

Nikon F90 | Fujifilm Superia 400

Post-Trauma Thoughts

I saw you tonight and I trembled

In my shoes.

My body stayed shaken for well over

Twenty minutes, and I

Couldn’t stop myself. Even when

I walked down and said, “Thank you”

On my way out.

 

Had I saw you earlier – saw you in that

Tired state – I probably would have said,

“Look up,

Come to me. I’ll give you my seat

So that you can sleep.”

I would have let you rest your head instead

Of my fatigued figure –

Tired from the tears I have teared

For you, and the cries I have cried that have mourned

For me.

 

And while it has soaked up all the courage I can muster

To do everything I have done – things I once swore never

To do to anyone – and if I ever make out another,

“Thank you”

With my lips, I am thankful for the supernatural being

That has possessed me to love you like this; convinced

That I have dug myself into a dark abyss, and the rope

You fed me lacks the integrity

To carry the weight of your lies that burdens me.

 

In the depths of a self-perpetuating salty sea,

I am an anchor

Heavy enough to keep myself submerged, yet

Too small to steady the ship she’s

Tied to.

Am I the girl you once met, but (you)

Never (knew?)

(You) loved?

 

 

With love,

Emily.

#10 – Love, Like This.

Nikon F90 | Fujifilm Superia 400

Love, Like This

You could but I couldn’t –

And that’s when it all started

To unfold.

 

We thought we would –

Elaborate ambitions

Of a far away land,

Of dates you planned.

 

I imagined we could

Live out these dreams

Each with our best friend.

 

A toasty burrito

In your embrace,

A muffin,

And a marshmallow face.

 

But then you quit and I couldn’t

Feel any less

Or comprehend reason.

 

I did but you didn’t

Have the willpower

To ignite a flame

Or come alive again.

 

You left – and left me lingering

In the past

You said

You would care no less.

 

I do but I don’t

Love you

And hate you the same.

 

I will but I won’t

Wish you were mine again.

 

I may very well never know what ‘love’ is – what is means or what it constitutes. Like many other things, ‘love’ is one I will never fully understand, but will still try my best to feel my way through.

‘Love’ has always been a concept that perplexes me – obviously something I’ve analysed and considered countless times. It’s ironic because ‘love’ always surrounds us in its many forms, but we don’t realise it a lot of the time. It’s funny because you can’t exactly define ‘love’, and there exists a myriad of interpretations and cultural perceptions. But, although it can be a beautiful thing, of all ambiguous and pretentious institutions, the most controversial one might just be ‘Love’. You really never know – how do you? Can you?

The relationship between ‘love’ and family greatly intrigues me. It’s a given that you ‘love’ your family, right? You were born into this world, cared for by your parents, siblings, grandparents, aunts, uncles, cousins, and anyone who picked you up into their arms. You couldn’t speak or understand most things, but you had eyes to see and a heart so you could feel – you probably didn’t even know who these strange people were, or what ‘family’ meant. But, when you were old enough to recognise ‘love’, they were the first people you said you ‘loved’ – regardless of how they looked, how they talked a little too much, how they chewed too loudly, how they would always mispronounce words, or how all these things would annoy you – you would still ‘love’ them unconditionally. You might live across seas or continents from your family, or may have never met them before, but love them you would – because they’re family. You might have new cousins you have never met, but you love them already. You might have distant relatives whom you’ve never seen before, or didn’t even know existed, but you love them. Maybe this is what noble love is?

I wonder why this kind of ‘love’ can’t be omnipresent – if we are all capable of that form of ‘love’, why can’t it transcend all borders? Why do we discriminate? Why do we judge? Why can’t we embrace and overlook flaws? Why can’t we love without barriers? Why don’t we try?

Although, what I know about ‘love’ has now made me a part-time skeptic – and coming from an optimist and someone who’s always able to find silver lining – that’s kind of depressing.

 

“I don’t know if what we had was love, but if it wasn’t, I hope never to fall in love. Because of you, I know I am too fragile to bear it.”

- An excerpt from ‘For you’ by Lang Leav

 

I’ve constantly been bombarded by the truth that love is a choice. Whether or not you believe in fate or soul mates, there really is no ‘right’ or ‘wrong’ – what there is though, is a choice to ‘love’ another for who they are; a choice to make a mutual effort to maintain a relationship (be it friendship, romantic relationships or familial bonds); a choice to fight for something you believe worth keeping – and that belief, or otherwise, is perpetuated by a sprouting thought; a belief you must hold on tight to with utmost willpower.

Someone once told me that, “Nothing in this world that’s worth having comes easy” (it was a quote from Scrubs). I’ve always remembered this ever since, simply because it emphasises an existential fact – that giving up or making excuses, or taking the easy way out will cause you to lose the people or things that were/are/could be valuable or important to you.

I’m also aware and invested in the idea that a person should love him- or herself first before they can commit to loving others – to be comfortable being alone (not lonely) and independent; to have the ability to find intrinsic happiness that stems from within. Your happiness shouldn’t be dependent on someone else. Like ‘love’, I believe happiness is also a choice. It’s your choice to be happy, by making decisions and having a mindset that will beget happy thoughts and therefore ideas. A very wise fortune cookie once told me,

 

“Your happiness is intertwined with your outlook on life.”

 

And of course this process was never meant to be easy or happen in an instant – you always hear people mention ‘the pursuit of happiness’ – but that doesn’t deter them from their so-called search. It seems like happiness and love have become the ultimate goals in life; the purpose in which we live for (in some cases people aim to be rich and famous which probably brings them happiness, so I guess that’s the same).

 

Choice

If I were to choose one thing never to lose again,

Above anything else,

I would choose myself.

(Then choose you – who knows)

 

I guess what I’m trying to put forward is this: Love (and happiness) can be simple, but not easy – much like how you can set out certain steps in achieving something, but it doesn’t mean these steps will be easy to accomplish. Or, like how you know where you want to be, but you don’t know how to get there.

There’s a certain saying that I have come to believe in:

 

“Let Live, Let Love.”

 

I’m not sure if I heard this from somewhere or someone, or conjured it up on my own because of my tendency to alliterate – but either way it has stuck with me (you may remember I ended off my first post with this quote). Initially, I liked it because it was catchy. It wasn’t until sometime last year that I realised what it really meant to me: that I should let life be, and simply let love be. I was reminded to let nature take it’s course, to let life unfold, and to let things be. It cemented the idea that some things can’t be forced, and that I should stop trying too hard (because let’s be honest – I always try too hard). Life, love, and happiness – they shouldn’t have to be too complicated, but that’s not saying you can avoid trying or making a conscious effort all together.

 

“The course of true love never did run smooth.”

- William Shakespeare, ‘A Midsummer Night’s Dream’

 

With love also comes loss in one of its various forms – it could be gradually drifting apart, a sudden halt, or the eventual “till death do us part”. Loss never is pleasant or easy, but acceptance comes eventually and there is always hope. Another wise fortune cookie has also told me that,

 

“What appeared to be a loss will turn out in your favour.”

 

You must be thinking, “Did she really get these fortunes from cookies?”

To that I say, “Yes. Yes I did.”

I still have these fortunes on paper as proof – it really did happen. Twice. I know, pretty amazing. 

I’ve recently been introduced to the wonderful world of spoken word poetry, and this poem in particular really touched me with its resounding relevance. If you’re like me and get hooked onto wanting to watch more, make sure you check out more of Sarah Kay and Phil Kaye’s work, as well as Harry Baker (he’s got a mathematics degree, writes poetry, and he’s so funny)! Or, if you had to pick just one to watch, you need to watch this one.

Finally, I hope my scattered thoughts are somewhat comprehensible and this post wasn’t too much of a torture to read. Thank you for appreciating my thoughts and opinions for what they are – it’s totally subjective and is in no way factual or should it be taken as a generalisation of what other people think.

Thank you for stopping by xx

L’amour, ça fait faire de grandes choses

 

With love,

Emily.

#6 - Catching a break / Melbourne Part 3.

Nikon F90 | Fujifilm Superia 800

My time in Melbourne ended much too soon. I still had so many places I wanted to visit and things I wanted to see – it would have been great to have had a few more days – but I made the most of the last two days I had before the flight back to Sydney (at least I think I did). 

Nikon F90 | Fujifilm Superia 800

I started off my second last day with a (second) visit to the Shrine of Remembrance. 

Nikon F90 | Fujifilm Superia 800

Nikon F90 | Fujifilm Superia 800

After alighting from the tram, it was a peaceful walk up to the Shrine that was sitting atop a hill – bathing majestically in warm winter sunlight.

The Shrine was a truly beautiful place – not just architecturally, and not solely because of the luscious green grass and tall trees surrounding it – but even more so because of its spiritual presence. The atmosphere and emotion that it embodied (I felt) was quite magnificent – what a tribute to remembering the soldiers that fought for our country during the First World War.

“Greater Love Hath No Man” 

It was heartwarming to see Australians and tourists alike coming through to give remembrance and learn more about the Shrine and its significance from the very friendly guides – I was also pleasantly enlightened.

Lest We Forget

Nikon F90 | Fujifilm Superia 800

I lingered a while on the balcony which overlooked the city. There was a slight drizzle – but how often do you have the opportunity to stand taller and feel larger than the world?

 We’re so insignificant in relation to the universe – but in saying that, there’s no reason we should doubt the influence and difference we can make in our indifferent world. Most think that an individual’s efforts can’t effect change, but everyone’s contribution as a collective can make all the difference. Such as being conscious of energy usage and the detrimental effects of the meat industry in the long run – because fact is climate change is real and the grain used to feed livestock can save the starving and malnourished. (Sorry for going all technical.)

 I always underestimate the difference I can make.  

Anyway, getting back to Melbourne:

Nikon F90 | Fujifilm Superia 800

Nikon F90 | Kodak Ultramax 400

Although I really hoped to dedicate a whole day to spend quality time with art, I didn’t have the luxury of time and so I only briefly stopped by the National Gallery of Victoria – I was only left with half a day to explore Carlton Gardens and Fitzroy.

Trains and trams were really easy to use in getting around Melbourne – not without the copious amount of walking since I was essentially a tourist. But when you reach your destination, or even stumble upon hidden gems along your adventure – these little surprises make the effort all worthwhile. 

Nikon F90 | Kodak Ultramax 400

Nikon F90 | Kodak Ultramax 400

I think this was the part of the day I looked forward to the most – finally standing in front of the Royal Exhibition Building. Everywhere I looked was picturesque – absolutely stunning – as if I was in a fairytale setting waiting for pirouetting fairies to appear and glittering flowers to bloom in the midst of winter. Even then, the fallen leaves and bare branches enchanted me. 

Regretfully, I could only admire the exterior of the Royal Exhibition Building and time forbade me from entering the Melbourne Museum. (I was getting hungry by then and I truly believed Fitzroy had more in store for me.)

Parallel Paradigm | Nikon F90 | Kodak Ultramax 400

Nikon F90 | Kodak Ultramax 400

And well, I wasn’t wrong. I fell in love with Fitzroy almost immediately – it was just the perfect place for me – really.

Along Brunswick Street was shop after shop of vintage/hipster/foodie/fashion/craft awesomeness. It was a dream-come-true.

I had done my own diligent research prior to my trip and listed down places I wanted to go to before doing day plans the night before. I had heard lovely things about Fitzroy. I had also found out about a café that I made my mission to visit that day.

Nikon F90 | Kodak Ultramax 400

I had to walk about a kilometer and a half from one end of Brunswick Street to the other to get to Hammer and Tong – trying to refrain from shopping in the meantime because it was approaching the café’s closing time – but it was worth every ounce of effort.

Stepping into the quaint café I was greeted with a rustic, cottage-like interior, which was also juxtaposed with corners of modern furnishing and clean lines. It just felt really cozy and it was really pretty and really inviting and I was really excited and I’m really enthusiastic just talking about it.

Since I was on my lonesome, I sat at a bench seat (also because huge windows and natural light). They had sugar, salt, and pepper in these cute little beakers with small wooden spoons and it was the loveliest touch of styling.

Shortly after came my coffee and the highly anticipated soft-shell crab burger – and can I say the burger was really something. It was like a soft-shell crab hand roll in burger form but even better – it was just amazing.

After demolishing my late lunch, I lingered a while sipping on coffee and penning down thoughts in my notebook, occasionally staring into beautiful blank space.

Fitzroy certainly did not disappoint.

Nikon F90 | Kodak Ultramax 400

The next day I was due to catch a plane back to Sydney in the late afternoon (thankfully with no delay). Till then, Melbourne had been acting up with the worst of weather conditions and I never could go to Brighton Beach – and I really, really, really, really wanted to see those cute, colourful bathing boxes in person. So, when it didn’t rain that morning, I was out of the apartment and headed straight to Brighton! 

I caught the train from South Yarra station and Brighton wasn’t too far away. The thing with Melbourne trains though is that the train doors are manually operated, so you need to press a button to open them. And so, since I didn’t know, I was standing at the door waiting to alight at Parliament one day and the woman with a pram on the platform had to press open the door and I was left feeling quite embarrassed.

Funny story aside, I learnt my lesson and successfully alighted at Brighton Beach Station by pressing a button. Needless to say, I was feeling rather accomplished that day. 

Between the Lines | Nikon F90 | Kodak Ultramax 400

The train tracks at Brighton Beach Station are such that they run across a road, so you’re basically able to cross them when there aren’t any incoming or outgoing trains. And so when I was making my way across the tracks, it occurred to me that I had stumbled upon a gem of a photo opportunity – at which I was weighing out the risks; hesitant on my desired course of action. By the time I decided I wanted to jump on that decisive moment, the pedestrian gates were closing and I almost got wedged between the gate and fence. This resulted in an awkward girl standing awkwardly on the wrong side of the gate, awkwardly waiting for the train to pass before she could stand awkwardly in the middle of the tracks to take that all important photo. Don’t think it could have gotten anymore awkward, but it was pretty worth it –if I do say so myself.

After overcoming that ordeal, it was a short but scenic walk to the bathing huts. The strong winds were brutal and did not stop lashing at me – I literally could not feel my face. But like a true warrior persevering in the face of adversity, I was rewarded with the glory of the infinitely vast sea; a body of water as blue as sapphire extending to the horizon; as deep as the truest of emotions – and my emotions overwhelmed me. The sea never ceases to amaze me, and make me feel like the smallest, most insignificant speck inhabiting this earth – which sounds horrible but really isn’t all that bad – put simply, my problems are nothing compared others. 

Nikon F90 | Kodak Ultramax 400

I remember watching characters in movies and television shows going to the beach and shouting at the top of their lungs, and I always imagined it would be an incredibly liberating feeling. I, too, was compelled to finally try screaming my lungs out at the sea, which turned out to be a really weak attempt – definitely not my best moment. 

Brighton Bathing Boxes | Nikon F90 | Kodak Ultramax 400

I eventually arrived at the bathing huts and it was such a beautiful sight – brightly coloured little houses, soft sand, blue water, and a cloudy, overcast sky. And, as always, I dusted off a few seashells for good old memories’ sake.  

***

For my last lunch in Melbourne, I decided to dine at The Kettle Black – and, oh boy, am I glad I went.

I didn’t realise how popular the café was until I arrived and there was a line to get in. Since I was alone, it didn’t take too long for me to get a seat. It’s a really modern, contemporary and luxurious café serving great food – although more on the pricey side, but definitely worth the visit. I just really loved the interior – a lot of tiles, marble, wood and warm lighting – an aesthetic feast for the eyes. 

Aside, another funny story: I got off the tram and walked in the opposite direction from the café, and ended up having to walk around the block to get to The Kettle Black. (I swear I have a good sense of direction)

***

After a satisfying lunch, it was time to head back to the apartment, grab my bags and leave for the airport.

Although I really couldn’t bear to leave, Wyong Creek was awaiting me!

 

With love,

Emily.