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Photography, poetry, and musings by Emily Ung.

#8 - Mother.

Mother

Dear Mother, I wonder

What is it that you think of when you look at me?

Do you still worry and ponder;

Or are you filled with hope and wonder?

 

I wonder what you see when you look into my eyes –

Do you see sparkling seas raging within a carefree child;

Tiredness trying to be kept at bay;

Or a world of sadness you wish you could take away?

 

I wonder what you think of when you watch me walk –

Do you think of how tall I’ve grown?

Do you like the woman I’ve become;

Or are you disappointed in more ways than one?

 

I wonder what would go through your mind

When you realise I still love a man I shouldn’t;

When you find out I sulk myself to sleep;

If you knew the secrets I keep so deep.

 

I wonder what you would feel,

When one day I walk out the front door;

When I turn twenty-one or twenty-four –

Will you have learned to let me go?

 

Mother, I wonder why –

Why the world is so unkind;

Why I wasn’t taught to love or to let go;

Why do people treat me so?

 

I wonder why I always fall before I fail;

Why I wasn’t taught love does not prevail?

 

And I wonder, when one day Father will walk me down the aisle;

My dress will be longer than tower Eiffel;

With my hair up and makeup done;

Do you think my daughter will like her mum?

  

With love,

Emily.

#7 - Sorry.

Photo by Angie Li

This poem goes out to all those who never know when to stop apologising; those that need to learn to live life unapologetically.

 

Sorry

I will not apologise

For the way my eyes sparkle

Or arch into crescents when I smile.

 

I will not apologise

For the way my hips sway

Or for the ripples in my body’s waves.

 

I will not apologise

For the way my hair falls

Or how it hangs in the wind.

 

I will not apologise

For the way my pinkies don’t meet

Or how I laugh at my own lame humour.

 

I will not apologise

For my selective nonchalance

Or my subjective beauty.

 

I will not apologise

For placing faith in fate

Or consciously trying to create coincidences.

 

I will not apologise

For being a hopeless optimist

Or a pedantic perfectionist.

 

I will not apologise

For the way I indulge in self-pity

Or how I exude excessive self-confidence.

 

I will not apologise

For choking on cries

Or the nights I rest my eyes on a wet pillow.

 

I will not apologise

For constantly caring

Or always loving.

 

Don’t you ever apologise

For the way you’ve hurt me –

Because you have not the slightest idea what you’re sorry for.

 

And I will not apologise

For always having ‘sorry’ at the tip of my tongue.

 

With love,

Emily.

#6 - Catching a break / Melbourne Part 3.

Nikon F90 | Fujifilm Superia 800

My time in Melbourne ended much too soon. I still had so many places I wanted to visit and things I wanted to see – it would have been great to have had a few more days – but I made the most of the last two days I had before the flight back to Sydney (at least I think I did). 

Nikon F90 | Fujifilm Superia 800

I started off my second last day with a (second) visit to the Shrine of Remembrance. 

Nikon F90 | Fujifilm Superia 800

Nikon F90 | Fujifilm Superia 800

After alighting from the tram, it was a peaceful walk up to the Shrine that was sitting atop a hill – bathing majestically in warm winter sunlight.

The Shrine was a truly beautiful place – not just architecturally, and not solely because of the luscious green grass and tall trees surrounding it – but even more so because of its spiritual presence. The atmosphere and emotion that it embodied (I felt) was quite magnificent – what a tribute to remembering the soldiers that fought for our country during the First World War.

“Greater Love Hath No Man” 

It was heartwarming to see Australians and tourists alike coming through to give remembrance and learn more about the Shrine and its significance from the very friendly guides – I was also pleasantly enlightened.

Lest We Forget

Nikon F90 | Fujifilm Superia 800

I lingered a while on the balcony which overlooked the city. There was a slight drizzle – but how often do you have the opportunity to stand taller and feel larger than the world?

 We’re so insignificant in relation to the universe – but in saying that, there’s no reason we should doubt the influence and difference we can make in our indifferent world. Most think that an individual’s efforts can’t effect change, but everyone’s contribution as a collective can make all the difference. Such as being conscious of energy usage and the detrimental effects of the meat industry in the long run – because fact is climate change is real and the grain used to feed livestock can save the starving and malnourished. (Sorry for going all technical.)

 I always underestimate the difference I can make.  

Anyway, getting back to Melbourne:

Nikon F90 | Fujifilm Superia 800

Nikon F90 | Kodak Ultramax 400

Although I really hoped to dedicate a whole day to spend quality time with art, I didn’t have the luxury of time and so I only briefly stopped by the National Gallery of Victoria – I was only left with half a day to explore Carlton Gardens and Fitzroy.

Trains and trams were really easy to use in getting around Melbourne – not without the copious amount of walking since I was essentially a tourist. But when you reach your destination, or even stumble upon hidden gems along your adventure – these little surprises make the effort all worthwhile. 

Nikon F90 | Kodak Ultramax 400

Nikon F90 | Kodak Ultramax 400

I think this was the part of the day I looked forward to the most – finally standing in front of the Royal Exhibition Building. Everywhere I looked was picturesque – absolutely stunning – as if I was in a fairytale setting waiting for pirouetting fairies to appear and glittering flowers to bloom in the midst of winter. Even then, the fallen leaves and bare branches enchanted me. 

Regretfully, I could only admire the exterior of the Royal Exhibition Building and time forbade me from entering the Melbourne Museum. (I was getting hungry by then and I truly believed Fitzroy had more in store for me.)

Parallel Paradigm | Nikon F90 | Kodak Ultramax 400

Nikon F90 | Kodak Ultramax 400

And well, I wasn’t wrong. I fell in love with Fitzroy almost immediately – it was just the perfect place for me – really.

Along Brunswick Street was shop after shop of vintage/hipster/foodie/fashion/craft awesomeness. It was a dream-come-true.

I had done my own diligent research prior to my trip and listed down places I wanted to go to before doing day plans the night before. I had heard lovely things about Fitzroy. I had also found out about a café that I made my mission to visit that day.

Nikon F90 | Kodak Ultramax 400

I had to walk about a kilometer and a half from one end of Brunswick Street to the other to get to Hammer and Tong – trying to refrain from shopping in the meantime because it was approaching the café’s closing time – but it was worth every ounce of effort.

Stepping into the quaint café I was greeted with a rustic, cottage-like interior, which was also juxtaposed with corners of modern furnishing and clean lines. It just felt really cozy and it was really pretty and really inviting and I was really excited and I’m really enthusiastic just talking about it.

Since I was on my lonesome, I sat at a bench seat (also because huge windows and natural light). They had sugar, salt, and pepper in these cute little beakers with small wooden spoons and it was the loveliest touch of styling.

Shortly after came my coffee and the highly anticipated soft-shell crab burger – and can I say the burger was really something. It was like a soft-shell crab hand roll in burger form but even better – it was just amazing.

After demolishing my late lunch, I lingered a while sipping on coffee and penning down thoughts in my notebook, occasionally staring into beautiful blank space.

Fitzroy certainly did not disappoint.

Nikon F90 | Kodak Ultramax 400

The next day I was due to catch a plane back to Sydney in the late afternoon (thankfully with no delay). Till then, Melbourne had been acting up with the worst of weather conditions and I never could go to Brighton Beach – and I really, really, really, really wanted to see those cute, colourful bathing boxes in person. So, when it didn’t rain that morning, I was out of the apartment and headed straight to Brighton! 

I caught the train from South Yarra station and Brighton wasn’t too far away. The thing with Melbourne trains though is that the train doors are manually operated, so you need to press a button to open them. And so, since I didn’t know, I was standing at the door waiting to alight at Parliament one day and the woman with a pram on the platform had to press open the door and I was left feeling quite embarrassed.

Funny story aside, I learnt my lesson and successfully alighted at Brighton Beach Station by pressing a button. Needless to say, I was feeling rather accomplished that day. 

Between the Lines | Nikon F90 | Kodak Ultramax 400

The train tracks at Brighton Beach Station are such that they run across a road, so you’re basically able to cross them when there aren’t any incoming or outgoing trains. And so when I was making my way across the tracks, it occurred to me that I had stumbled upon a gem of a photo opportunity – at which I was weighing out the risks; hesitant on my desired course of action. By the time I decided I wanted to jump on that decisive moment, the pedestrian gates were closing and I almost got wedged between the gate and fence. This resulted in an awkward girl standing awkwardly on the wrong side of the gate, awkwardly waiting for the train to pass before she could stand awkwardly in the middle of the tracks to take that all important photo. Don’t think it could have gotten anymore awkward, but it was pretty worth it –if I do say so myself.

After overcoming that ordeal, it was a short but scenic walk to the bathing huts. The strong winds were brutal and did not stop lashing at me – I literally could not feel my face. But like a true warrior persevering in the face of adversity, I was rewarded with the glory of the infinitely vast sea; a body of water as blue as sapphire extending to the horizon; as deep as the truest of emotions – and my emotions overwhelmed me. The sea never ceases to amaze me, and make me feel like the smallest, most insignificant speck inhabiting this earth – which sounds horrible but really isn’t all that bad – put simply, my problems are nothing compared others. 

Nikon F90 | Kodak Ultramax 400

I remember watching characters in movies and television shows going to the beach and shouting at the top of their lungs, and I always imagined it would be an incredibly liberating feeling. I, too, was compelled to finally try screaming my lungs out at the sea, which turned out to be a really weak attempt – definitely not my best moment. 

Brighton Bathing Boxes | Nikon F90 | Kodak Ultramax 400

I eventually arrived at the bathing huts and it was such a beautiful sight – brightly coloured little houses, soft sand, blue water, and a cloudy, overcast sky. And, as always, I dusted off a few seashells for good old memories’ sake.  

***

For my last lunch in Melbourne, I decided to dine at The Kettle Black – and, oh boy, am I glad I went.

I didn’t realise how popular the café was until I arrived and there was a line to get in. Since I was alone, it didn’t take too long for me to get a seat. It’s a really modern, contemporary and luxurious café serving great food – although more on the pricey side, but definitely worth the visit. I just really loved the interior – a lot of tiles, marble, wood and warm lighting – an aesthetic feast for the eyes. 

Aside, another funny story: I got off the tram and walked in the opposite direction from the café, and ended up having to walk around the block to get to The Kettle Black. (I swear I have a good sense of direction)

***

After a satisfying lunch, it was time to head back to the apartment, grab my bags and leave for the airport.

Although I really couldn’t bear to leave, Wyong Creek was awaiting me!

 

With love,

Emily.

#5 – Weight of the World.

iPhone 6 | Processed with VSCO

Weight of the World

I’ve got the world on my mind,

My mind in my head,

My head on my shoulders –

Shoulders you once leaned on;

That once felt your tears –

Shoulders that carry more weight

Now that you’ve disappeared.

 

I’m currently midway into week 9 of the second semester. I’m so tired, and I know I’ve been trying – but this definitely isn’t my best. My initial determination has dwindled down into nothingness. At the moment, I just really want to get by – but even that is proving to be an overwhelming challenge.  

I’m taking two steps forward, three steps back.

Let’s hope I find the strength (and myself) to pull through somehow. (At least Mid-semester break is just around the corner)

 

With love,

Emily.

#4 – Thoughts.

Nikon F90 | Fujifilm Superia 400

As procrastination has overcome me this afternoon as I sit in the dimly lit corner of my favourite café, I am thinking about thoughts – quite literally. Thoughts.

Why do we develop ideas? Why do we think our thoughts? Why do we have the capacity to feel?

People say that, “Oh, it’s innately human,” or “it’s the human condition” – but aren’t those just human constructs? Social – even cultural constructs? They sound like an easy way to escape confrontation and pacify our ‘human’ desire to seek out reason. It’s the same with language – the language we use to communicate is a human construct – words and concepts coined and defined to suit our context; cater to our needs; and explain phenomena. (And yes – it’s ironic because I’m using written language to convey my message.) Then if ‘human construct’ is also a human construct, what exactly isn’t manmade?

Our ideas – Who? What? When? Why? How?

Does it hurt because you think it hurts? Is it hard because you think it’s hard? Does it seem impossible because you think it is? Does it make you happy because you think it does? Does the future seem bleak because you think of it as such? Do you not feel anything because you think you don’t?

Thoughts are dangerous things – yet sometimes, dangerously beautiful. Thoughts perpetuate ideas; imagination can beget an unsuspecting desire; a fleeting hypothesis can translate into the most stubborn of beliefs. In this sense, we all have control over our ideas, do we not?

I’ve been of the belief that as long as one possesses the willpower, there’s nothing that’s out of the question. “Where there’s a will, there’s a way”, right? As long as you set your mind to it, as long as you’re determined, as long as you’re willing to persevere and remain steadfast – insofar “the sky’s the limit”. Yet, this isn’t always the case.

Although our thoughts can be helped (most of the time), they are susceptible to ‘feelings’ – emotional urges or reactions – and feelings can’t be helped (again, most of the time, at least in my opinion). Sometimes it’s a strong hunch, or a lingering intuition – just an inexplicable feeling about something or someone. It’s the classic case of thinking you know something, but having no basis of justification; when you think it’s a certain way but you don’t actually know the truth or you can’t say for sure – you can’t exactly reason with ‘feelings’.

The essence is aptly encapsulated in this quote,

“The heart has its reason of which reason knows nothing.” – Blaise Pascal 

With that said, every action is loaded with intention – nothing you say or do is without motive – either consciously or subconsciously, whether you realise it or not. Be cautious with your thoughts, with your ideas, with your words, and with your actions – but never close your heart off from ‘feelings’. I’ve come to realise that although it pains me and often puts me at a disadvantage, my capacity to love and care (or tendency to be nosey) is a blessing in disguise.  

Borrowing the words of Marlee Banta (@marleemeghanbanta on instagram),

“I know the curses and blessings of feeling everything so incredibly deeply.”

And finally, after stringing together my disjointed thoughts into proper sentences, I decide to look up the meaning of ‘thought’ in the Oxford Dictionary of English:

Thought [n.] :- An idea or opinion produced by thinking, or occurring suddenly in the mind.

I guess my mind isn’t so mad after all.

 

With love,

Emily.